Quiet Soup Club Etsy shop badge: handmade candles, bookmarks, rugs, cup covers, and recipe mini books

AI · difficult documents · cultural heritage · photographs

I study how machines read imperfect traces.

I work at the intersection of NLP, document analysis, digital humanities, and cultural heritage. I build and question AI systems that try to read noisy, visual, multilingual, historical, and politically situated documents.

Stylised portrait of Emanuela Boros
yes, still human

Mostly serious work. Not always serious tone.

I do research on machines that read difficult documents: historical newspapers, OCR and HTR transcripts, handwritten archives, epigraphic inscriptions, administrative records, financial documents, multilingual media, and multimodal cultural heritage collections. I am interested in what AI can extract from them — people, places, events, relations, narratives, uncertainty — and also in what it misses, invents, or quietly damages.

Small things currently taking too much space in my brain

Things I keep returning to

A compressed map of recurring research themes. Each box opens a project page with the work behind it and selected papers.

Photo projects

Extracted from my art projects since 2009: project titles, dates, media, descriptions, captions, and plates. Click a cover to open the full project.

Posts, notes, opinions

A place for short texts about AI, archives, cultural heritage, evidence, noise, and other things that refuse to stay neatly technical.

Opinion

LLMs in archives: fluent, useful, suspicious

On why good prose is not the same thing as grounded historical understanding.

Note

Documents are evidence, not just data

A small manifesto for building AI systems that keep traces attached to claims.

Read / add posts →

For collaborations, papers, archives, photographs, or suspiciously good ideas.